Tag Archives: Greek

Revelations

Apocalypse-proof skills ground us in a digital age

I crave an apocalypse. Not the sort where the earth implodes, or even the kind that wipes out half the population and creates a Lord of the Flies society. I want an apocalypse where we no longer have electricity, fossil fuels or chequing accounts. (Okay, maybe I’m not pro-apocalypse: maybe I’m just a Luddite.)

For years I’ve felt that our decadent, hedonistic North American society is a single Jenga block away from collapse.

Call it “peak oil” or “climate change” or “I can’t afford to stay home with my new baby because child care is cheaper than me not working”— call it whatever you want. We’ve built a tower so high that we can’t remember how or why we started. I want to see what happens when the pieces fall and we have to rebuild.

My desire to return to a simpler time is probably a reaction to how complicated life has become in the past ten years, not just for me as I aged into full-time work and a mortgage, but also for our society. We live in the Information Age, yet have no idea how our world works.

Where does pepper come from? How does a radio work? Such information is only a Google search or YouTube video away, but instead of asking the “why” of things we waste our time with Netflix and Facebook.

We’re confident that this information will always be available, if we need it. But in a post-apocalyptic world (with no electricity, much less the Internet), it will be too late to ask Google how to light a fire without matches.

Mission: Learn apocalypse-friendly skills

This feeling of becoming disconnected from the practical world, of realizing I no longer understood how things worked, first hit me at age nineteen — coincidentally, when I got my first email address.

In 1999, with Y2K looming, I inventoried my skills and realized I would have nothing to offer, should my desire for a simpler society come true and the Industrial-Technological Age be knocked to its pale, bony knees. Thanks to my university education I could write essays and parse a poem. My skills would not feed, shelter or heal anyone in the New World. I would have nothing to offer as society struggled to rebuild.

That summer I took action, in the form of a quilting class. And when I wrapped myself in the warm blanket I’d made, I tasted empowerment. I no longer depended on the industrial system — I could make my own blankets, thank you very much. I knew how to use a sewing machine, and sew by hand if necessary.

And once I understood the logic of how a quilt is made, of how a sewing machine runs, I could control the process. I could improvise, be creative and improve on the status quo. When I saw quilts that others had made, I was no longer detached: I saw the quilt’s components, admired skilled stitching and felt a connection to the quilt maker. Those few sewing classes made me hungry to learn more skills.

Years later, when my husband Brock proposed that we abandon our urban condo and start a ten-acre vegetable farm, my apocalypse fantasies became more practical. Maybe society wouldn’t collapse, maybe we’d still have a mortgage and hydro bills, but we would be growing our own food and building our own home. Living on a farm would test my mettle for the practical, grounded life I longed for. And it has.

My love of learning practical skills is necessary to my adopted role as a “farm wife.” When you have 600 tomato plants in your backyard, it makes sense to learn how to make and can salsa.

For one summer I worked alongside Brock on our farm and learned skills that will get me into any post-apocalypse commune. Show me a handful of seeds, and I can tell you what they’ll grow: I know the seed that looks like a mummified tooth will become Swiss chard, while the thin rice grain will leaf out into lettuce. I can distinguish cabbage from cauliflower when they’re still only seedlings (no small feat). I know exactly when a broccoli crown is ready for harvest, judging by the tightness of the head, and even how to cut it so the stalk will continue to produce more side shoots.

After five years on our farm I can make pickled beets, sauerkraut, jam, sprouts, garlic scape jelly, kombucha and cheese. I know which seeds can be saved for planting, and how to save them.

The Renaissance Women

Despite gaining all these useful abilities, in 2011 I realized there were still hundreds of skills I could learn. Through the farm I’d met many amazing local women who, with young families and/or businesses to run, were just as busy as I was, but whom I wanted to get to know better. It would be inefficient to cultivate friendships with so many busy people separately, so I invited these women to join me in learning a new practical skill as a group once a month for a year.

I limited my invitation list to the artists— writers, photographers, jewelry makers and other craftspeople— so the monthly gatherings would also provide regular inspiration for our art, and we could document the experience through blog posts, audio documentaries, paintings, et cetera.

At our first meeting I served sprouted wheat bread, cheese and kombucha that I’d made. We named ourselves the Renaissance Women.

A year and a half later, I can sew clothing from a pattern and have made pottery dishes. I can make bread from a sourdough starter, yogurt and soap. I know there’s a patch of heal-all growing as a weed in my front yard, and how to peel and eat a thistle. Last week I learned to use a fly rod and spin reel to catch fish. Compared to where I was at age nineteen, I would be an incredible asset to any post-apocalyptic community.

And sure, maybe the system won’t collapse. Maybe our society will continue to evolve (or not) and we’ll meander along, our smartphones getting smarter as we become more disconnected from the foundations of this world we’ve created, more dependent on the luxuries and conveniences our parents and grandparents invented so we could live a life of leisure.

All I know is that, as I learn more practical skills, I feel more grounded in this increasingly complex, overwhelming, abstract world.

“Apocalypse” comes from a Greek word meaning “uncover” or “reveal,” and I like knowing what lies beneath.

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Originally published in The Winnipeg Review on June 27, 2012.

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Death and the Farm

One hot August day, a middle-aged Greek man strides through the farmers’ market, sees our sandwich board, and stops to read it again. “Makaria Farm!” he announces, and comes over to my table.

He says: “How is it that everywhere there is Hopping Rabbit Farm and Singing Bird Farm, and here you have Makaria Farm?” He is mispronouncing “makaria” but he’s Greek and it’s a Greek word, so it’s probably us who have been mispronouncing it for two generations. Awkward.

I explain that Brock’s parents found “makaria” in the Bible, where it translated to “blessed:” perfectly suitable for their organic farm. When we bought our own land in 2007, we considered the name partly because we already had the signage. Google confirmed the name was right for us when it revealed “makaria” meant not just “blessed,” but “blessed death”: we were ending our city life for a new, happier life.

I ask my Greek friend what “makaria” means to him, and he explains that it’s the meal served after a funeral in Greece. There’s a set menu. It’s tasty. I look at the fresh vegetables piled high on our market tables, and am awed by coincidence.

Agriculture requires death

Some folks might find a farm name so closely associated with death to be a bit freaky, but in fact we’re just being honest: a farm requires death.

You can’t grow healthy, nutritious vegetables without feeding the soil dead plant and/or animal fertilizers, like compost and fishmeal.

Chickens hatch out at 50-50 males and females: every flock of layer hens (i.e. females) equates to male chicks or roosters being killed because they’re superfluous. When you raise pigs or cows for meat, the slaughterhouse is a necessary stage in the process.

Even though Brock and I have (so far) avoided livestock, we still share our land with wild rabbits, birds of all kinds, frogs, snakes, deer, worms and a universe of insects.

Death is an everyday occurrence, from killing worms when tilling the soil to setting out rat traps in the shed. Part of a farmer’s job – of working outdoors and imposing artificial order on a natural ecosystem – involves being able to handle death emotionally, spiritually and logistically.

Death is a part of life

In the years since we fled our Victoria condo for Makaria Farm, death has come in many forms to our ten acres. These passings have helped me realize that death is an inevitable, natural part of life – which, at least for me, makes death a little less scary. Here’s a recount to honour the dead:

The chickens

Three of our black layer hens are raccooned sometime after dark. We find the coop door open, the feathers trailing outside to inside-out chickens, limp red combs, and stiff chicken feet. We are left with two anxious survivors: one in the apple tree, one huddled in the darkest nesting box. I lean in to pet her spine and she winces, chicken wings up in defense.

Forty-eight hours later and the treed survivor has taught the other hen to launch herself over the netted run walls. I catch them scratching at the horse manure compost pile, pecking at red wigglers as if they’re popcorn. Worm genocide.

The deer

Some asshole races down our rural road and collides with a deer. We’ve all built fences around our farm fields and the deer wander as refugees. Deer down, the driver accelerates and makes his getaway to the Trans-Canada.

Witnesses include my brother, Joe, and a balding farmer in his pickup. The deer paws at the pavement with bloody hooves.

Joe gets a rusty axe from the shed and stands above Bambi. But he buys his steak at Walmart so says to the old man: “You’re probably better at this than me.” The man takes the axe and swings with confidence.

They lift the deer corpse into the truck bed and the farmer drives away.

The swan

The snow melts except for a puddle of white by the front fence. I wander out to investigate and see the black beak. I scream, then holler to Brock that there’s a dead trumpeter swan in our yard.

Internet research says if we move the body ten feet over the fence and beside the road it’ll become someone else’s problem. Alternatively, dead birds should be disposed of into the garbage for biweekly roadside pick-up. I doubt they meant a trumpeter swan, but whatever.

I can’t bear to touch the corpse so Brock struggles solo to fit the thirty pound bird into a garbage bag: the long, loose neck flops to the side.

The bunny

We’re walking out to the field to harvest and something cat-sized is caught in the fence netting. It scrambles as we move closer. I suspect a raccoon but nightmares sometimes come true and it’s a wild rabbit, smaller and tawnier than my now-deceased house rabbit of nine years.

Peter.

I remember Peter’s silky white nose and ask Kim, one of our pickers, to put her hand over the bunny’s eyes so it doesn’t panic as much from seeing us. There’s not much we can do about dulling our human scent. The other women are dumb with concern so I play paramedic and ask one to get the old bunny carrier from the shed and pad it with hay. Another runs to the house for a pair of scissors.

Kim holds the rabbit to dull the jostling as I carve through netting with my Swiss army knife. The netting has cut into the bunny’s legs and side: there is blood and flesh. I doubt a wild rabbit will survive these wounds.

Luckily, rabbits can die of fear and this one succumbs just before I cut it free. Kim unwraps the netting from stiff limbs and places the body in the carrier. We walk back to the house to wash our hands. I tell Kim that we will bury the rabbit, but it’s peak harvest season and we’re too busy to dig in hard soil so the body goes to the dump later that day.

(A moment of silence for all the dead, from the tilled worms to the birds caught by the feral neighbourhood cats to the curious garter snakes decapitated by the mower.)

Yes, with its tiramisu layers of meaning “makaria” is exactly the right name for our farm.

It is the death of an old life and the beginning of a new life. It is good food borne from healthy, “blessed” soil, fed by our compost.

It is a feast to celebrate the natural cycle of death and life, because other living things will always have to die for us to live.

“Makaria” is all these things, and we’re proud to continue the family tradition of mispronouncing it.

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Originally published in The Winnipeg Review on April 9, 2012.

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